McKinlay, P., Monson, B., Smith Lyttle, B., Duke, G. (2022) Glass Daughters (I). Work in group show, EARTH: caught in stone (art + science travelling exhibition). Exhibition co-curator (with Jenny Rock) and exhibition catalogue editor, group show, Forrester Gallery, Oamaru 2 April-6 June, Also participated in a webinar: Earth caught in stone Whitestone Geopark and Forrester Gallery Oamaru. 17 May 2022 6.30-800PM.
McKinlay, P., Smith Lyttle, B., & Duke, G.
(2022) The Great Antarctic Diatom Mystery. Work in group show, EARTH: caught in stone (art + science travelling exhibition). Exhibition co-curator (with Jenny Rock) and exhibition catalogue editor, group show, Forrester Gallery, Oamaru 2 April-6 June, 2022
McKinlay, P. (2020) Ice at the margins 1, Ice at the margins 2.
Ice at the margins 1 created in 2019, Ice at the margins 2 created in 2020, exhibited in group show Get Staffed! (again), Dunedin School of Art, Otago Polytechnic, 10 - 21 February.
McKinlay, P. (2020) Art washing reputations – what we can learn from the Climate Declares Emergency Movement. Mapping the Anthropocene Symposium, Otago Polytechnic, Dunedin School of Art, 26 – 27 September.
McKinlay, P., Pickery, J. & Jackson, A. (2019) Call of the Ocean. Dunedin/¯Otepoti celebration/Dunedin launch of the “Own the Streets” – Ocean Acidification Street Poster Campaign (an iteration of the Art+Oceans Exhibition 2019) 30 June to 21 July.
McKinlay,P., & Rock,J. (2019) Mountain to the sea . Art + Water exhibition, 9 - 21 September 2019
Venue: HD Skinner Annex, Otago Museum.
McKinlay,P., & Wernham,J. (2019) Heramaahina Eketone (Waikato and Ngāti Maniapoto). Art + Water, Water: Mountains to the Sea
Exhibition Catalogue 2019
Dunedin School of Art
in association with
the University of Otago
McKinlay, P. (2018) Where’s the Switch?
Junctures Journal of Thematic Dialogue, 19: Oceans, December 2018.
Rock, J., McKinlay, P. (2018) Art–Science Collaboration: Blending the Boundaries of Practice Junctures 19: Oceans, December 2019
McKinlay, P., & Pickery, J. (2018) Without the Ocean, We are Lost. Junctures Journal of Thematic Dialogue, 19: Oceans, December 2018
McKinlay, P. (2018) Ms Daisy drives herself: Clara Ford, the Model T and "Miladies Electric". Unbound: Liberating Women, Costume and Textile Association of New Zealand Symposium, 21 September 23 September 2018,
McKinlay,P. (2018) South Dunedin Life Preserver, paper mâché sculpture made from the reports on the natural hazards of South Dunedin, sea level rising, and flooding and What Lies Beneath.Reef, 2018, tapestry of dyed
wools. Sweeping up the Sparrows, 2016, elm wood, rope, barometer, photograph,birdsong, ceramic tiles.The Optimistic Cow, 2000, Acrylic on canvas card.The Shell Exchange, 2018 – beach shells and stones, high tide flotsam, raku ceramic shells.Call of the Ocean, 2018, photograph.Little Shop of Horrors, 2018, photograph and plastic midden from beach clean ups (with Anna
Kluibenschedl). 7 works in group exhibition show, Oku Moana (My Oceans) 9-13 July 2018, Community Gallery Dunedin.
McKinlay, P. (2017) Still Life with EV. Scope Contemporary Research Topics: Art and Design, 14, pp66-70 www.thescopes.org
Keller, C. and McKinlay, P. (2017) Heir Loom Art and Genetics Exhibition held at the HD Skinner Annex of the Otago Museum 4-16 July 2017.Catalogue for Art and Genetics Exhibition curated by Peter Stupples.
McKinlay, P. and Keller, C. (2017) t’s Written in your DNA — Or is it? Junctures: The Journal for Thematic Dialogue #18 genetics, pp81-87
McKinlay, P. and Pickery, J. (2017) He puira hirahira (A Special Chromosome). Art and Genetics Exhibition held at the HD Skinner Annex, 4-16 July, 2017 catalogue Floor Talk at the Art and Genetics Exhibition curated by Peter Stupples.
9 July, 2PM, 2017. Catalogue for Art and Genetics exhibition
McKinlay,P. Pickery,J. & Davidson, E. (2017) VERY. nearly. substantially. SIMILAR. Art and Revolution Exhibition 9 - 20 October held in association with the Art and Revolution Symposium (14 October ,2017) Art and Revolution catalogue, curated by Peter Stupples. https://issuu.com/dunedinschoolofart/docs/art_and_revolution_final
McKinlay, P. (2017) An Overview Of the CTANZ 2017 Symposium. Scope Contemporary Research Topics: Art and Design #14, Dec 2017 pp 121-125
McKinlay, P. Pickery, J. (2017) The GENE-ration Game. Junctures: The Journal of Thematic Dialogue #18, Dec 2017, pp71-80 junctures.org
McKinlay, P. & Pickery, J., & Davidson, E. (2017) The Neglected Miracle. Scope Contemporary Research Topics, Learning and Teaching, 4. Sustainability, December. www.thescopes.org
McKinlay, P. (2015) Step into my light cone.
Based on ideas of general photon behaviour and around research into vacuums and rainbow caustics with ref to the first colour projection by James Clerk Maxwell for the
Royal Society in 1861. Artist's floor talk, Art and Light exhibition, 2015.
August 22nd at 2PM - with Dr Terry Scott
McKinlay, P. (2015) On Caustics: A Conversation (abridged title). Junctures: The Journal for Thematic Dialogue, 16. http://junctures.org/index.php/junctures/article/view/233
McKinlay, P. (2011) Art at Risk - Opening Debate, Internet Research Group of Otago unConference: Resistance and Control, 27th January. http://irgo.otago.ac.nz/programme.html.
Ballard, S. and McKinlay, P. (2010) Art at Risk: Copyright, Fair Dealings and Art in a Digital Age, Limited edition printed copies (out of print) Ballard, Su and Pam McKinlay, Art at Risk: Copyright, Fair Dealings and Art in a Digital Age, Otago Polytechnic, 2010. ISBN 978-0-908846-47-4